Homecoming

Posted in American Tribal Style® Bellydance, Events, MamaLala, Pregnancy and Belly Dance, Tales from the La..., Tribal Bellydance, Words from the Dancer on October 27th, 2009 by Lauramaeve

I love dressing preparing for a performance – its the girl child in me who loves pretty things…

There is the decision on which underskirt to wear with the basic costume… and indeed if the underskirt should be worn as an overskirt for this gig…. oh and maybe I’ll wear Melodias instead of pantaloons…

Then comes the coin bra, necklaces, bracelets, armlets and cuffs, the rings and hand ornaments; a decision on which type of belt – coin or shell…with tassel or fringe, and maybe a scarf underneath? Then flowers, sticks and other various ornaments for hair, the dramatic make up, the tribal dots and the all important bindi…. and not forgetting the sari, veil or one of Kathleens gorgeous Ghawazee Coats for a cover up between sets….

The Moirai Ladies in full Tribal bling at FireWater, May 2008

Call it elaborate dress up, call it armour, call it a fulfilment of fantasies, call it vanity – whatever. Its the love of creating a look for the stage, as well as presenting an art form that I am passionate about that makes every gig – no matter how small – an occasion for me.

My latest gig was a little different however. Last weekend at The Zoryanna Autumn Hafla, I took the floor wearing my trademark black and red with no decoration or pagentry aside from a few hair flowers…. and of course the all important bindi. There was no need for more – it wouldn’t have felt right.

I was nervous, as I normally am, a little more so this time as I felt more than ever that I was baring my soul… and my belly, 7 months pregnant.

It was what I wanted it to be, a return to me. Touching centre as I near the end of this part of my life and prepare for the next. I felt amazing afterwards – connected again with an energetic force that has been so much a part of my life over the past 7 years. With the changes and turns my life has taken in the last 12 months, this performance was what I needed to reconcile the new with the old.

The best part of it was communicating with the little one – who was in constant movement from the first note of the night. As I danced I was aware of little feet and hands exploring and creating a dance of their own…

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